I’ve taken several thousand images in the last month or so and looking back, if we exclude drone shots, all but around thirty were shot with one of my Fuji cameras. This morning then, when I decided to go and visit the bluebells, I consciously took the Nikon DSLR. I have to confess I almost popped the Fuji bag into the car as well but was strong and went out sans-Fuji.
I took the Nikon body, three lenses (14-24, 24-70 and 70-200), spare battery and a couple of filters. The first thing I noticed was the bag I needed was three times bigger than the one I’ve been using (with two Fuji bodies, four lenses and filters etc) and the second was the weight. Arriving at the car park and walking the short distance uphill to the woods I really noticed the weight. Now to be fair I would usually use a backpack with the Nikon gear so the large shoulder bag was always going to feel slightly less comfortable.
The lack of use showed very quickly once I’d got the camera on a tripod but happily muscle memory returned very quickly and I was soon shooting happily and intuitively. I even got the 14-24 f2.8 lens out for a spin too, something I haven’t done for a very long time it seems. After those first five fumbling minutes I settled quickly into the old rhythm and it’s fair to say thoroughly enjoyed the hour in the woods with just the Nikon and its “Holy Trinity” of lenses.
The 70-200 is probably my favourite of these three lenses especially for landscapes. Indeed, the 14-24, which I bought for landscape work, rarely gets used for those purposes these days as I’ve slowly adopted a more intimate approach to landscape shooting. I still shoot wider scenes but generally the wider end of the 24-70 lens gives me everything I need. When I sold my Canon gear, accumulated over twenty years or more, and moved to Nikon I was not in a position to replicate the system item for item. I needed therefore to carefully consider my purchases and ended up buying the three lenses already mentioned along with the D800E and D7100 bodies and a Sigma 105mm macro lens. To be fair this has proved to be more than adequate and although I have added a 300mm f4 to the mix I generally only travel with the two bodies and four lenses I originally purchased.
Looking at the images I took with the 14-24 this morning, apart from the ones of the tree canopy all the others are at 24mm which perhaps illustrates the point very well. For a day out I could manage nicely with just the 24-70 and 70-200 lenses in the bag. Where I use the 14-24 mostly I think is for urban shoots; but not street photography as it’s rather an eye-catching piece of glass.
Incidentally, you may have noticed that there is just a hint of the titular bluebells in these images. Two reasons, partly I was late going out so the sun was higher in the sky than I’d have liked but mainly because the bluebells themselves are only just starting to appear. It seems that the weather has put everything back a bit and it may be another week or so before the bluebells appear in the dense patches I enjoyed last year. When they do the macro lens will join the kit bag in place of the 14-24 as I have a few more creative ideas I want to try when the conditions are right.
One thing that always surprises me almost is when I get the D800E files up on my computer screen. At 36mp from a full frame sensor they are much bigger than the 24mp files from the Fuji X-T20 or the 16mp files from the X100t and X-T1 crop-sensor cameras. The detail is immense and each time I look at a well-exposed, properly focused and sharp image its as if I am seeing the detail for the first time all over again. It’s one of the reasons why I cannot yet relinquish my Nikon system despite the huge weight difference compared to my Fuji kit. For example, I can carry the 24mp Fuji X-T20 with three lenses covering 12mm-200mm (18mm-300mm in full-frame terms) along with the infrared-converted X-T1, spare batteries and filters and fit all these in my smallest backpack, a Camlink sling bag measuring just 40 x 24 x 23.5cm. Despite this, for as long as I am physically able to carry the Nikon gear I shall be keeping it!
As for the bluebells, I will return to this spot regularly over the coming weeks. For an overcast or misty day the perfect time will be around sunrise or just after at this time of the year, which means leaving the house at 5:45am. On a bright day I suspect that later in the day, around teatime or even towards sunset, will work best but I’ve yet to test this theory. The only issue with an evening shoot is a practical one; I park in the carpark of a local restaurant and whilst they have no objections first thing in the morning I can see them being less happy when I’m taking up a space that could be used by a paying diner! I shall take a drive down one evening though to test this theory out properly and investigate alternative parking.