Back to the Darkroom

My enlarger arrives Monday. I’ve finally progressed in my photography sufficiently to go back to the darkroom – this time with a Hasselblad 500CN and a Mamiya RB67.

© Dave Whenham

Lake of Mentieth, Scotland.
Camera: Mamiya RB67
Film: Fujichrome Velvia 100

Now that is not something I was expecting to be writing even as recently as 27th September. However, on the 28th, and courtesy of my wife, I achieved a long-held ambition and became the proud owner of a Hasselblad film camera.  Just two weeks earlier I’d been contemplating selling my Mamiya which has languished unused in a box on my bookcase for at least four years.

There is a saying the when life throws you a lemon then you should make lemonade; so applying the same principle, and in short, I am going to shoot film again after many years of being exclusively digital. Over the last weekend I spent a few days in Snowdonia with members of the Postal Photographic Club some of whom still shoot film, a couple exclusively. Chatting to them over dinner one evening I realised that if I’m going to do this then I may as well do it properly so have spent the last few days creating a space in which to establish a permanent darkroom. More on that in a future post.

Whilst clearing out though I found an envelope of negatives and transparencies dating from 2009-2011 and couldn’t resist scanning some of them.  The results exceeded my expectations and I shall be printing some of them (digitally) later to then compare with a darkroom print once I’ve got the equipment set-up and the chemicals have arrived from the suppliers.

© Dave Whenham

Marlborough Downs, Wiltshire.
Camera: Pentax 645
Film: Ilford XP2 Super

© Dave Whenham

Imperial War Museum, Salford
Camera: Mamiya RB67
Film: Fuji Neopan 400

Over the weekend I shot four rolls of 120 roll film using the Hasselblad (48 pictures in total) and one roll of 35mm film (36 pictures) using a Pentax ME camera I’ve owned for a while and never previously used. On getting home I found two rolls of exposed 35mm film in a drawer and on inspecting the film magazines for the Mamiya found that one had two frames remaining and the other had four. In total I sent nine films off for developing last week and I’m eagerly awaiting their return. Once I’m happy that the camera is functioning properly I will start to develop my own films again but I want to remove that variable at this stage of the process; I need to know the cameras function properly without wondering if any failures were down to my processing.  I’ve since found two more part-exposed 35mm films in a Canon A1 and Canon EOS 650 which I’ve finished and will use for my first foray into home developing since the mid-1980’s.

So, watch this space and in the meantime here’s a few more scanned images.

© Dave Whenham

Scotland
Camera: Pentax 645
Film: Fuji Acros 100

© Dave Whenham

Amanda – who started this all! c.1982
Camera: Canon AE1
Film: Agfachrome

I mentioned at the top that I felt I’d progressed enough to return to the darkroom – at least I hope I have!